Shop ‘Emily in Paris’ Fashion

Remember when television was a means of escape and reckless fantasy, not a curse that weighed on our society? Me too, and that’s why I love unashamedly Emily is in Paris.

The show, while by no means a hundred percent accurate depiction of the French “experience,” does provide the perfect amount of visual eye candy that has helped make it one of Netflix’s biggest (and most surprising) hits since its premiere in 2020. Aside from the organic chemistry of the the star cast, the mode for better and for worse are the show’s true main characters.

For Season 3, costume designer Marylin Fitoussi takes the reins from industry titan Patricia Field and provides a new take on our favorite French crew.

“There’s a sense of anticipation, especially when it comes to the costumes, so the challenge is not to repeat ourselves, to keep breaking the code, breaking it completely and always coming up with exciting new looks,” Fitoussi said of the season’s fashion story. . “This season, I have more freedom. I can build my style even more, working in a much closer and more intimate way with the team, and especially with Lily Collins.”

Ahead, we break down some standout displays from Emily is in Paris Season 3, which is streaming now on Netflix.

Camille won best dressed of the season.

Two things are made clear by Camille’s character arc Emily is in Paris Season 3. One, he really isn’t a very good friend; she’s terrible, actually. But two? The fashion game is perfect. Camille’s sense of style is the subtle balance of traditional French girl foundations with a hint of kitsch as we’ve seen in Seasons 1 and 2. Big, chunky glasses echoing Iris Apfel, oversized Jacquemus orange-green blazer, and Schiaparelli tweed modernized co-ord sets. everything suited Camille this time.

“The main lesson I learned from Patricia was her motto ‘We don’t care about reality’, which gave me great freedom in terms of tone and spirit,” Fitoussi says of his approach to costume this season, especially when it comes to his native French. characters in the cast. “I let go completely. I don’t work like we would in a much more French way, trying to find daily justifications for a few outfits.”

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Sylvie leaned into her sexy era.

Sylvie, the high-profile, earnest, and very French head honcho of Savoir Agency has always represented the very posh traditional Parisian woman. However, in Season 3, Sylvie is at a career crossroads that affects not only how she sees herself, but also how she dresses. This Sylvie is all about taking risks in both her personal and professional life, and her wardrobe is on the same page, with her character opting for plunging necklines, pristine Maison Alaa trousers, and, when she’s feeling especially adventurous, several colors thanks to a provocative ball gown. lush. and vintage Vivienne Westwood.

“For Sylvie’s character, it’s about being able to take risks. She’s in black and white; in color minimalism,” says Fitoussi. “And now, Sylvie ventured to mix fuchsia with orange, maybe adding a touch of purple. But both [her and Emily] have the same intensity of views and intentions. They continue to forge this bond, while still challenging one another. I feel somewhat successful, because of Lily and the Philippines [Leroy-Beaulieu] they themselves, in the way they move, speak, and gesture, have succeeded in creating that mirror effect, and turning it into a playful nod.”

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Emily is getting better!

Emily is experimenting with her wardrobe in a big way in Season 3. While she’s never been afraid to lean into the literal (she’s an American in Paris after all), her style is more subtle this time around without sacrificing any kind of fun. Multi-colored printed sweaters, metallic knee-high boots and staple Louis Vuitton accessories are all part of her latest style evolution.

“Emily is unique; she is special. She is a cheerful character, very enterprising. She is creative; she is a great observer,” Fitoussi said of how the titular character’s fashion sense has developed. “He shows this to us especially in Season 3, because you will find that he has observed all the French fashion codes and that he has reinterpreted them in his own way, in Cooper’s way.”

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Culture Editor

Bianca Betancourt is the culture editor at HarpersBAZAAR.com, where she covers all things film, TV, music and more. When she’s not writing, she likes to bake cakes on impulse, re-listen to those same early 2000s pop playlists, and stalk Mariah Carey’s Twitter feed.